Wednesday, June 27, 2007
Catching Up
The sooner you fall behind the more time you have to catch up. Right now that means I have more time to catch up than any of you! I think.....hmmm.......
Friday, May 18, 2007
Brief Update on the Lost Romany
So, here's the deal about Sam. Sometime in the beginning of April I finally managed to emotionally distance myself from this story, and writing it has been semi-fun ever since. Most of what I'm writing still sounds as though it was written by a little kid other than a scene here and there, which is why I'm not posting it. The plan regarding posting is for me to finish a short rough draft by the end of June, then I'm going to give it a rest and let my ideas have time to crystalize during the rest of the summer (while I focus on a different writing project), then I'm planning on really writing Sam in the fall and posting, preferrably weekly. I know that fall is a long time away, but it seems the most realistic at the moment.
Wednesday, March 07, 2007
No Plot, No Problem was overdue and I'd already renewed it once, but I renewed it again. Hopefully no one else is waiting in line for it. One of the suggestions in it was to list your favorite aspects of a novel in one list and your least favorite in another. Since I like listing things. . .
What I Love in a Book
A "Once upon a time" magical feel. The feeling that you are about to hear a story.
Characters you love. Really love. Like, you want to squeeze them because they're so cool!!
Romance, told artfully and beautifully
Structured plots
Ridiculously shocking, possibly embarrassing, confrontational, eyeball-widening, eyebrow-lifting, scenes
Surprising twists
Lush and exotic settings
Mystery and intrigue
Beauty
Rich use of all the senses
Beautiful endings. I'm partial to happy ones, but I like bittersweet ones too so long as they're poignant and meaningful and beautiful and leave me feeling contemplative instead of depressed. I can never forgive a book for having a flat and depressing and unfinished ending
What I Don't Love So Much in a Book
An excess of wordiness so that you can't picture what's going on and your imagination is bogged down.
Cardboard characters
Really disgusting, unredeemable villains. At some point in the story, either in the beginning or in the end, I like the villain to have good points to his character, otherwise they seem kind of fake to me. So long as it's a human, that is. If it's some dark force representing of Satan, it doesn't seem cardboard.
An excess of action, particularly action you can't envision (yes, I know it's more grammatically correct to say "one" instead of "you", but "you" sounds better
Cheesy, sappy, over-done romance. Blec.
Monsters, ghosts, aliens, weird fantasy creatures. Most of the time.
Strange, unnatural fantasy problems. I find those disturbing. I still vividly remember my dad watching Star Trek when I was about eight or nine, and someone got a strange disease that turned their eyes yellow and their skin crackled strangely and grossly. I left to my room and sat on the edge of my bed with clammy hands and weak, trembling limbs and a queasy stomach. Unfortunately, I'm not much different today when it comes to those things.
First person when the character has an attitude
Preachiness
As afore mentioned, depressing and incomplete endings
What I Love in a Book
A "Once upon a time" magical feel. The feeling that you are about to hear a story.
Characters you love. Really love. Like, you want to squeeze them because they're so cool!!
Romance, told artfully and beautifully
Structured plots
Ridiculously shocking, possibly embarrassing, confrontational, eyeball-widening, eyebrow-lifting, scenes
Surprising twists
Lush and exotic settings
Mystery and intrigue
Beauty
Rich use of all the senses
Beautiful endings. I'm partial to happy ones, but I like bittersweet ones too so long as they're poignant and meaningful and beautiful and leave me feeling contemplative instead of depressed. I can never forgive a book for having a flat and depressing and unfinished ending
What I Don't Love So Much in a Book
An excess of wordiness so that you can't picture what's going on and your imagination is bogged down.
Cardboard characters
Really disgusting, unredeemable villains. At some point in the story, either in the beginning or in the end, I like the villain to have good points to his character, otherwise they seem kind of fake to me. So long as it's a human, that is. If it's some dark force representing of Satan, it doesn't seem cardboard.
An excess of action, particularly action you can't envision (yes, I know it's more grammatically correct to say "one" instead of "you", but "you" sounds better
Cheesy, sappy, over-done romance. Blec.
Monsters, ghosts, aliens, weird fantasy creatures. Most of the time.
Strange, unnatural fantasy problems. I find those disturbing. I still vividly remember my dad watching Star Trek when I was about eight or nine, and someone got a strange disease that turned their eyes yellow and their skin crackled strangely and grossly. I left to my room and sat on the edge of my bed with clammy hands and weak, trembling limbs and a queasy stomach. Unfortunately, I'm not much different today when it comes to those things.
First person when the character has an attitude
Preachiness
As afore mentioned, depressing and incomplete endings
Thursday, March 01, 2007
Wars and Rumors of Wars
I need a war or a rebellion.
Therefore, I brainstormed with my handy dandy brainstorming partner, Kate McKay, as I fondly call my sister. Unfortunately, I have never once made a breakthrough from this method of brainstorming. I wonder why that is. . .
The abridged version of our brainstorming discussion is as follows.
Brittany: "Katie, I need a reason for a war."
Katie: "Have people kidnap this girl because they want to start a war."
Brittany: "For the last time, I am not going to write The Princess Bride."
Katie: "Have these people be fighting over a river."
Brittany: "A river? And why can't they just share the river? Is it going to run out?"
Katie: "Someone is contaminating the river. They're dumping toxic waste into it."
Brittany: "I'm not writing Sahara, either. They didn't have toxic waste back then."
Katie: "Maybe their bathing in it and urinating in it."
Brittany: "That's nice, Katie."
Katie: "Ummmm. . ." stops thinking and resumes reading her literature book aloud " 'Then there was Aunt Sarah Shoaf, who never went to bed at night without the fear that a burglar was going to get in and blow chloroform under her door through a tube. To avert this calamity---' "
Brittany: "Well, they could always poison the river I suppose. . . but wait, why? That doesn't solve the problem of how the war. Hmmmm. . . I know, they're fighting for that kachina doll god."
(earlier in the conversation we had discussed having these people fight over an object. We came up with the idea they were fighting over a kachina doll that one country's founder had carved out of something, then it was lost, then the other country found it, and they've been fighting over it ever since)
Katie: "The great kachina doll god! Wow, that's a book I want to read. . ."
Brittany and Katie dissolve into laughter.
Brittany: (gasping for air) "Okay, what is the war going to be about? . . ."
Katie: (continues reading aloud) " '---for she was in greater dread of anesthetics than of losing her household goods--- she always piled her money, silverware, and other valuables in a neat stack just outside her bedroom, with a note reading: "This is all I have. Please take it and do not use your chloroform"---'." (Katie stops reading.) "I still think you should have it be over a broken treaty."
Brittany: "What's the treaty?"
Okay, that's enough of this goofy conversation. I'm in weird mood now, have you noticed? Anyway, these options were ruled out:
Therefore, I brainstormed with my handy dandy brainstorming partner, Kate McKay, as I fondly call my sister. Unfortunately, I have never once made a breakthrough from this method of brainstorming. I wonder why that is. . .
The abridged version of our brainstorming discussion is as follows.
Brittany: "Katie, I need a reason for a war."
Katie: "Have people kidnap this girl because they want to start a war."
Brittany: "For the last time, I am not going to write The Princess Bride."
Katie: "Have these people be fighting over a river."
Brittany: "A river? And why can't they just share the river? Is it going to run out?"
Katie: "Someone is contaminating the river. They're dumping toxic waste into it."
Brittany: "I'm not writing Sahara, either. They didn't have toxic waste back then."
Katie: "Maybe their bathing in it and urinating in it."
Brittany: "That's nice, Katie."
Katie: "Ummmm. . ." stops thinking and resumes reading her literature book aloud " 'Then there was Aunt Sarah Shoaf, who never went to bed at night without the fear that a burglar was going to get in and blow chloroform under her door through a tube. To avert this calamity---' "
Brittany: "Well, they could always poison the river I suppose. . . but wait, why? That doesn't solve the problem of how the war. Hmmmm. . . I know, they're fighting for that kachina doll god."
(earlier in the conversation we had discussed having these people fight over an object. We came up with the idea they were fighting over a kachina doll that one country's founder had carved out of something, then it was lost, then the other country found it, and they've been fighting over it ever since)
Katie: "The great kachina doll god! Wow, that's a book I want to read. . ."
Brittany and Katie dissolve into laughter.
Brittany: (gasping for air) "Okay, what is the war going to be about? . . ."
Katie: (continues reading aloud) " '---for she was in greater dread of anesthetics than of losing her household goods--- she always piled her money, silverware, and other valuables in a neat stack just outside her bedroom, with a note reading: "This is all I have. Please take it and do not use your chloroform"---'." (Katie stops reading.) "I still think you should have it be over a broken treaty."
Brittany: "What's the treaty?"
Okay, that's enough of this goofy conversation. I'm in weird mood now, have you noticed? Anyway, these options were ruled out:
- a broken treaty (can't think of a treaty)
- a war against a religeon (because. . . I'm not sure why, but because)
- a war over stolen goods (the stolen goods are. . .?)
- a war over a kidnapped heir or heiress (nahhhh)
- a war over a possesion said to belong to both sides (can't think of anything. Don't want it to be land or the great kachina statue or the polluted river.)
- a war against barbaric invaders (doesn't work)
- a war against a cruel dictator (can't think of anything I like. He can't be cruel because he's stupid like Taerith's king, he can't be cruel because he overtaxes people like Daelia's country's rulers, he can't be cruel because he's cruel to slaves like in Zoe. I don't have any ideas)
Well this is one of the more random entries I've ever written. I'm hungry. I think I'm going to go eat something. . .
Monday, February 12, 2007
I finally went to the library and checked out No Plot, No Problem, as Starr suggested. When I got home I read the introduction, then already felt inspired to work on Sam. I wasn't sure you guys were completely right, but. . . alas! You're right. My problem is that I'm too concerned with people's opinions. I can't just let myself go and write because it will come out rubbish and you guys are actually going to read that rubbish. Frightening thought!
Well, I decided to ignore that and just write. Or try to, anyway. After all, if it's so rubbishy I can't bear to have you read it I don't, strictly speaking, have to post. Sure Emily won't post and Charissa won't post and even sweet Rachel Ro. has threatened not to post and pretty soon the Romany Epistles will be postponed for a year, but aside from that triffling matter I don't have to post. If I absolutely must, I can spend a week editing it before I post it. Only, somehow that doesn't work. When I sit down to edit it, I realize I have no direction, no theme, and I'm wasting my time and pretty soon I'll be a little old lady wondering where the years have gone and why I wasted them all writing about some person who never existed in a world that isn't real.
So I guess I have to force myself to write the rubbish all at once and keep going and not look back and swallow my confounded pride. But what if it gets lodged in my throat and I choke and DIE!?
*Gulp*
Well, I decided to ignore that and just write. Or try to, anyway. After all, if it's so rubbishy I can't bear to have you read it I don't, strictly speaking, have to post. Sure Emily won't post and Charissa won't post and even sweet Rachel Ro. has threatened not to post and pretty soon the Romany Epistles will be postponed for a year, but aside from that triffling matter I don't have to post. If I absolutely must, I can spend a week editing it before I post it. Only, somehow that doesn't work. When I sit down to edit it, I realize I have no direction, no theme, and I'm wasting my time and pretty soon I'll be a little old lady wondering where the years have gone and why I wasted them all writing about some person who never existed in a world that isn't real.
So I guess I have to force myself to write the rubbish all at once and keep going and not look back and swallow my confounded pride. But what if it gets lodged in my throat and I choke and DIE!?
*Gulp*
Monday, February 05, 2007
Procrastination
Attempt #1 After eating breakfast and cleaning my room, I sit down at the computer to work on Sam like a good little girl. However, it comes to mind that I'm expecting an e-mail from someone who is answering a question for me and I need to know the answer to that question, so I should check that first. Since I'm already checking my e-mail, I might as well read all of my e-mails. And hey, it wouldn't hurt to comment on a few peoples' xangas. Then, if one of your friends just happens to be online at the same time as you, it is quite natural that you'd want to IM with them.
Attempt #2 Having completely ignored Sam the first time around, after lunch I decided to sit down and work on him some more. But by slinking bit, six sentences appeared on the screen. Then I found myself distracted trying to find the right word for something. An old woman is yelling at Sam, only yelling isn't the correct word for what she's doing. It's more like bossing, or pestering, and raging at him, only it's none of those. After vetoing all the options your thesaraus provides, you realize that lambasted is a cool word. Say it ---lambasted. Isn't that a fascinating word? Yes, but it's not what the old woman is doing to Sam. Groused is also a cool word, but all the computer thesaraus says is that it's a bird with feathers on it's legs. Can't find other words like that. Then, for whatever reason I realized it was fun looking up words, and that words like wallopped sound really cool. When I'll use it I don't know, but it's fun to say. It makes me want to wallop someone on the backside. Then I start laughing with my sister and decide that half an hour is way too long to be looking up words in a thesaraus.
Attempt #3 It's about four in the afternoon when I went into my room with the intention of working on Sam for the third time. Then I found that my sister was on the computer, and that as it so happened Charissa had posted more Aiden. So naturally when Katie got off the computer I had to read Aiden. I mean, I can't just ignore Aiden. So I read Aiden, then Katie came back enquiring why I was reading Aiden when I had specifically said I wanted to work on Sam, and since I had read Aiden she had to read Aiden, and I decided I didn't feel like being on the computer anymore anyway.
Attempt #4 After having very generously decided that my sweet little sister's needs should come before my own and that she deserved to read Aiden before I worked on Sam, I went to the backyard with a notebook in hand to sit on the swing and write. After all, writing by hand makes things flow so much easier. So, I picked up where I left off with the grousing woman and start writing. My writing flowed beautifully, like cans flow behind the car of a newly married couple, banging and clashing merrily ---and gracefully--- along. I then decide that typing is the only way to go.
Attempt #5 It's now about six, and I'm thinking I really should work on Sam, so I sit down at the computer. First I read aloud to Katie what I have already written, in a very dramatic tone. She reads it even more dramatically, it sounds absolutely ridiculous. When I finally start to type, the font I have it set at keeps reverting back to this other font, and no matter how many times I fix it it keeps changing. Then I decide I feel more like writing about the trials of writing than writing Sam, and if it were not for that decision you would not be reading the beautiful entry you are now, in which I have the feeling I changed tenses about a dozen times and only corrected a few of them. It wants to be written in one way but I started out in another and I keep going back and forth and isn't this fun?
Now that you have been sufficiently entertained---- hey, wake up!!! Huh, I never knew you snored. . .
Attempt #1 After eating breakfast and cleaning my room, I sit down at the computer to work on Sam like a good little girl. However, it comes to mind that I'm expecting an e-mail from someone who is answering a question for me and I need to know the answer to that question, so I should check that first. Since I'm already checking my e-mail, I might as well read all of my e-mails. And hey, it wouldn't hurt to comment on a few peoples' xangas. Then, if one of your friends just happens to be online at the same time as you, it is quite natural that you'd want to IM with them.
Attempt #2 Having completely ignored Sam the first time around, after lunch I decided to sit down and work on him some more. But by slinking bit, six sentences appeared on the screen. Then I found myself distracted trying to find the right word for something. An old woman is yelling at Sam, only yelling isn't the correct word for what she's doing. It's more like bossing, or pestering, and raging at him, only it's none of those. After vetoing all the options your thesaraus provides, you realize that lambasted is a cool word. Say it ---lambasted. Isn't that a fascinating word? Yes, but it's not what the old woman is doing to Sam. Groused is also a cool word, but all the computer thesaraus says is that it's a bird with feathers on it's legs. Can't find other words like that. Then, for whatever reason I realized it was fun looking up words, and that words like wallopped sound really cool. When I'll use it I don't know, but it's fun to say. It makes me want to wallop someone on the backside. Then I start laughing with my sister and decide that half an hour is way too long to be looking up words in a thesaraus.
Attempt #3 It's about four in the afternoon when I went into my room with the intention of working on Sam for the third time. Then I found that my sister was on the computer, and that as it so happened Charissa had posted more Aiden. So naturally when Katie got off the computer I had to read Aiden. I mean, I can't just ignore Aiden. So I read Aiden, then Katie came back enquiring why I was reading Aiden when I had specifically said I wanted to work on Sam, and since I had read Aiden she had to read Aiden, and I decided I didn't feel like being on the computer anymore anyway.
Attempt #4 After having very generously decided that my sweet little sister's needs should come before my own and that she deserved to read Aiden before I worked on Sam, I went to the backyard with a notebook in hand to sit on the swing and write. After all, writing by hand makes things flow so much easier. So, I picked up where I left off with the grousing woman and start writing. My writing flowed beautifully, like cans flow behind the car of a newly married couple, banging and clashing merrily ---and gracefully--- along. I then decide that typing is the only way to go.
Attempt #5 It's now about six, and I'm thinking I really should work on Sam, so I sit down at the computer. First I read aloud to Katie what I have already written, in a very dramatic tone. She reads it even more dramatically, it sounds absolutely ridiculous. When I finally start to type, the font I have it set at keeps reverting back to this other font, and no matter how many times I fix it it keeps changing. Then I decide I feel more like writing about the trials of writing than writing Sam, and if it were not for that decision you would not be reading the beautiful entry you are now, in which I have the feeling I changed tenses about a dozen times and only corrected a few of them. It wants to be written in one way but I started out in another and I keep going back and forth and isn't this fun?
Now that you have been sufficiently entertained---- hey, wake up!!! Huh, I never knew you snored. . .
Friday, February 02, 2007
I found these quotes by Ann Lamott here: http://victoriagaines.com/page/6/. Some timing. ;-)
“Very few writers really know what they are doing until they’ve done it. Nor do they go about their business feeling dewy and thrilled….we all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid.”
“Just get it all down on paper, because there may be something great in those six crazy pages that you would never have gotten to by more rational, grown-up means. There may be something in the very last line of the very last paragraph on page six that you just love, that is so beautiful or wild that you now know what you’re supposed to be writing about, more or less, or in what direction you might go—but there was no way to get to this without first getting through the first five and a half pages.”
“Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something—anything—down on paper.”
“I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident.”
“Everyone I know flails around, kvetching and growing despondent, on the way to finding a plot and structure that work. You are welcome to join the club.”
Join it? I'm the president!
“Very few writers really know what they are doing until they’ve done it. Nor do they go about their business feeling dewy and thrilled….we all often feel like we are pulling teeth, even those writers whose prose ends up being the most natural and fluid.”
“Just get it all down on paper, because there may be something great in those six crazy pages that you would never have gotten to by more rational, grown-up means. There may be something in the very last line of the very last paragraph on page six that you just love, that is so beautiful or wild that you now know what you’re supposed to be writing about, more or less, or in what direction you might go—but there was no way to get to this without first getting through the first five and a half pages.”
“Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something—anything—down on paper.”
“I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident.”
“Everyone I know flails around, kvetching and growing despondent, on the way to finding a plot and structure that work. You are welcome to join the club.”
Join it? I'm the president!
Monday, January 29, 2007
Friday, January 26, 2007
Somehow, a dam has broken. Ideas are popping up like mushrooms. What is this strange new feeling?
Well, all I have now is a mush of ideas, but I like the ideas in all their mushiness. I'm highly tempted to just sit down and write, and go back later in the second draft and organize it all and give it some sort of direction. It has direction now, but it's sloppy. I don't care though, I just want to write it! But I don't think I can start for another week a least. There are still a lot of details to work out. Oh don't worry, I won't work out all the details---if I did I'd never write anything, which seems to be the case with me. But there are certain things I have to work out before I can start at the beginning, and I think it is wise for me to do so instead of jumping right into the middle as I'm tempted to do.
Closing Thoughts: It has now been a week since I've been sentenced to work on Sam for a half hour everyday. So far, I've been late more than once, but I've always done it. Except for Sunday, that is. I reserve the right to have that one day, at least, Sam-free.
By the way, I'm going to up my time to an hour now. A half hour is a triflingly small amount, especially for someone who has the time to do more. I only started with it because I was overwhelmed and didn't want to torture myself for more than half an hour. :-P
Well, all I have now is a mush of ideas, but I like the ideas in all their mushiness. I'm highly tempted to just sit down and write, and go back later in the second draft and organize it all and give it some sort of direction. It has direction now, but it's sloppy. I don't care though, I just want to write it! But I don't think I can start for another week a least. There are still a lot of details to work out. Oh don't worry, I won't work out all the details---if I did I'd never write anything, which seems to be the case with me. But there are certain things I have to work out before I can start at the beginning, and I think it is wise for me to do so instead of jumping right into the middle as I'm tempted to do.
Closing Thoughts: It has now been a week since I've been sentenced to work on Sam for a half hour everyday. So far, I've been late more than once, but I've always done it. Except for Sunday, that is. I reserve the right to have that one day, at least, Sam-free.
By the way, I'm going to up my time to an hour now. A half hour is a triflingly small amount, especially for someone who has the time to do more. I only started with it because I was overwhelmed and didn't want to torture myself for more than half an hour. :-P
Wednesday, January 24, 2007
Monday, January 22, 2007
I haven't worked on Sam today yet. Too busy playing in the snow!!! Don't people get snow days off? ;-) Besides, my cold isn't gone yet. . . Okay, fine. I'll work on it shortly or else you won't hear of me tomorrow and you'll know why. :-/
My phone conversation with Libby and Rachel's comment have persuaded me to explore that idea I wanted to explore, so I'll go ahead and do that.
Closing Thoughts: Libby and Rachel have both been very persistant reminderers. You guys should get an award or something.
My phone conversation with Libby and Rachel's comment have persuaded me to explore that idea I wanted to explore, so I'll go ahead and do that.
Closing Thoughts: Libby and Rachel have both been very persistant reminderers. You guys should get an award or something.
Saturday, January 20, 2007
I worked on Sam today. That's two days in a row. Aren't you proud? :-P
So, I played around with different ideas resulting in the frustrating conclusion that there is "nothing new under the sun". Every idea I came up with sounded like someone else's!!!!!!! Whether it was Starr's or Libby's or Emily's or other books I've read like Oksana or Jewel of the Pacific. The latter is driving me nuts because I'm interesting in pursuing a similar theme and Linda Chaikin had to cover all of her bases. It's like she left nothing unexplored, so if I even pick just one thing it seems similar to hers. Sheesh!
Basically, I played with the idea of having there be a large group of people quarentined by the king's orders and they are law breakers if they try to escape their quarentined area and everyone is afraid to go near them to bring them supplies and whatnot. I see various trails this could go in, and I'd like to explore them, but I'm concerned about the smilarties to Chaikin's book. It seems like a whole different story in my mind, but I can't deny some obvious connections.
And, for Rachel's satisfaction, I very seriously considered starting from scratch with a female character, but I can't do that. I don't want to get into the plethora of reasons why that won't work right now, but maybe in a future post.
Closing Thoughts: Sigh.
So, I played around with different ideas resulting in the frustrating conclusion that there is "nothing new under the sun". Every idea I came up with sounded like someone else's!!!!!!! Whether it was Starr's or Libby's or Emily's or other books I've read like Oksana or Jewel of the Pacific. The latter is driving me nuts because I'm interesting in pursuing a similar theme and Linda Chaikin had to cover all of her bases. It's like she left nothing unexplored, so if I even pick just one thing it seems similar to hers. Sheesh!
Basically, I played with the idea of having there be a large group of people quarentined by the king's orders and they are law breakers if they try to escape their quarentined area and everyone is afraid to go near them to bring them supplies and whatnot. I see various trails this could go in, and I'd like to explore them, but I'm concerned about the smilarties to Chaikin's book. It seems like a whole different story in my mind, but I can't deny some obvious connections.
And, for Rachel's satisfaction, I very seriously considered starting from scratch with a female character, but I can't do that. I don't want to get into the plethora of reasons why that won't work right now, but maybe in a future post.
Closing Thoughts: Sigh.
Friday, January 19, 2007
1:00 ---I've gathered my stuff and am sitting on top of my bed thumbing through a notebook searching for a blank page.
1:07 ---I've decided to pin down Sam's inner conflict, thinking that is a wise foundation for building a story off of. So, I referred to a list of possible conflicts I'd made the other day and tried to find one for Sam. Revenge, Despair, Doubt, Rebellion, Greed, Stubborness, Unforgiveness, Hate, etc. didn't work, so I decided to go with fear.
1:10 ---made a list of possible fears, than crossed off all the absurd ones, i.e. fear of dragons, fear of the dark, fear of evil rulers, etc. Made a smaller list of realistic possibilities. The list is as follows. . .
1:07 ---I've decided to pin down Sam's inner conflict, thinking that is a wise foundation for building a story off of. So, I referred to a list of possible conflicts I'd made the other day and tried to find one for Sam. Revenge, Despair, Doubt, Rebellion, Greed, Stubborness, Unforgiveness, Hate, etc. didn't work, so I decided to go with fear.
1:10 ---made a list of possible fears, than crossed off all the absurd ones, i.e. fear of dragons, fear of the dark, fear of evil rulers, etc. Made a smaller list of realistic possibilities. The list is as follows. . .
- What if Sam struggled with the fear of loosing someone he loved? That's not so hard to fathom, especially since he's just had that happen dramatically. How would he react to this fear? Would he clam up and stop letting people get close? That doesn't fit Sam. Scratch idea one.
- What if Sam struggled with fear of physical torment? Well, first I'd have to establish what kind of physical suffering it was. No, this fear makes him seem whimpy. Others might not think so, but I do, and I'm the one who has to write him, so no. Scratch idea two.
- What if Sam was afraid of failure? Would he never try anything? Wait, a person can't never try anything. He has to try some things. Scratch idea three.
- What if Sam was afraid of being powerless? He would try to do everything he could not to be powerless and helpless, so he'd fight hard and build up his strength in all areas physical and mental. That's not Sam. Scratch idea five.
- What if Sam was afraid of disease? Well, there are a couple little bitty problems with that. One is that I doubt they had health nuts and neat freaks and the mere possibility of being sanitary all the time back than. He could become highly supersistious, which I believe the majority of people were, but again, that isn't Sam. Scratch idea six.
- He could always be afraid of death. That would work but. . . Why would he be afraid of death? Because he is uncertain about eternity? No. Because dying is so gruesome? Yes. This is a more possible idea than the others, the trouble is I'm still a bit concerned about the "whimpy" factor. If I was starting from scratch and building a character to have this as their central conflict, I'd pick someone strong and macho, then it would be sort of ironic with their personality and. . . interesting. However, I could still make it work for Sam, but there are other dangers. For one, my mind keeps thinking of a favorite character, Walter Blythe. If my mind keeps going there, I'm in real danger of copying him and ending up with a poor immitation of him. Even if there was no danger of that, I'd be stuck with how to make Sam face his fear of death, and I've already explored that in the past only to run into a series of dead ends.
The moral of the story is: From now on, I need to establish the conflict first and build a character around it instead of vise versa.
Closing thoughts: Wow, a half hour goes by fast!
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